AnnaMarie Laforest White
Stories, Poems, Art
POETRY by Anna Marie Laforest White
A sampling... (Copyrighted material, January 2016)
FIRST TASTE
Sitting
down on knees
creaky as the lid
of her satin-lined trunk
an old, old woman holds
in a last calm moment,
her mother's lavish bridal dress
and long kid leather gloves,
their rows of pearls like the ones
she'll see, perhaps, tomorrow;
she holds and holds and holds
such a gift this holding,
and here she thought she had nothing left
to lose.
LUNCH DATE ADAGIO
So animated
you won’t remember what you just ate
every dripping word
at the edge of appetite,
his eyes cross the table
and break
into yours,
honest vowels
caress and flatter,
one
corner of his mouth
smiles
as you chatter
mighty arms
in rolled up sleeves,
chalky hands
from placing brick
offer you a light
in finger plie –
you pull a breath and look
along his elbow
he makes your previous men
cartoons.
​
SUCCESS
Hair modeled
like a dipped cone
pace clipped
speech honed
in finely chiseled
tongue
hands flash
smartly sleeved
underscoring
well-buttoned points
only your eyes
sucked back and strung
with stain
betray you
like dishrags
in the drain
at home -
sticky
brittle
wrung.
​
​
VIETNAM WALL
Alsonso, Bobby, Charles,
reduced to charcoal rubbings
of the names their mothers gave,
red and white bouquets
propped with blue-ribboned beer
and a laminated photo or two
streaked from humidity,
thick with visitors’ accents
in Washington -
the wall gets taller than those
who walk it.
Short gray ladies
with green memorial shirts
tucked round their roundness
like altar boys on ladders
point at James or John
who lay only yesterday
it seems
with the widows in the folding seats
waiting for the service
and crumpled now from a different heat,
or brushed their christening lips
along a daughter’s forehead
that burns today with migraine
as she traces the wall
with her eyes
pretending her father’s not a ghost.
Morgan horses and park police
salute
the Three Fighting Men
while on the edges
with same sad boots and heavy stare
clusters of vets
“hey buddy!” each other
and the planes fly
what do they care
these Infantry “Tropic Lightnings”
and regiment “Wolfhounds”
they faced their shadows
long before
today’s low clouds
keep reflections out
of the monument pool.
And somewhere in the flags and tents
a started service ends.
DROUGHT
Long slow spate
of breezeless summer
uninspired trees
bow and curl
to no water
falling free
no white birds call
the unidentified me’s
only
under-churned bubbles
of river head
popping in the sun.
I float, smooth and raw
like dry sticks
children skin
and fling
from little middles
to the river -
Grace
is more
than a swimming thing.
JINGLE DANCE
White buckskin dress
long fringe hanging
from outstretched arms
fifty rows of beads
above her dancing feet
toe toe toe heel toe toe,
the dress is fashioned
after a great grandmother’s dream
her lost warrior
paint dried across his face
ax fallen from his hand
and 300 bullet shells
now rows and rows of jingle
flashing silver across the dress
toe toe toe heel toe toe
to the thunder drum
and lightning stick
she dreamed the otter strip
woven in his braids
long before jingle
when all that fell was rain.
Women surround her
drawn to the sacred dress,
turns out the pounded silvers
are tobacco lids from cans
folded
light as foil
yes, says Miss Crow Nation
eyes lowered under beaded crown,
it took
a lot
of chewing.
THE MONUMENTS AT DARK
I met a man
who is his own cousin
by a certain sleight of parents
early on
we told our stories
as sightseers do
under cover of night
summer humidity
and well-writ stone.
He was calm and knowing
Buddha-knit pacific tongue
I laughed and ascribed his balance
to the cousin
who undoubtedly gave
a lifelong counter
point of view.
We pulled each other
along the inchy rim
of a long reflecting pool
surefooted
as Vivaldi’s seasons
and close
with a scent of orange
and that urge
you get near ponds
to push each other in.
I thought I saw a serpent floating
but we knelt to find a tube
that’s no snake, he laughed
so handsome in the monolithic light
and stretched his hand
to dredge a frond for me -
if I push him now
this gliding bodhisattva
will the cousin up-merge
and what form would he
be?
​